Checker Cab

Manufactured by the Checker Motors Co. of Kalamazoo from 1956 to 1982, the Checker "Marathon" was THE New York City taxi for roughly 40 years. The last Checker taxi, with nearly 1,000,000 miles, was retired from New York City streets in 1999. Today our yellow cab fleet may be more diverse - with Toyotas, Hondas, Fords, Chevys and even some hybrid varieties - but they just don't have the "character" of the Checker models. Fabriano paper, 140 lb., 9" x 12", watercolor, pen & ink, casein.

"It's Our Pleasure to Serve You"

Like the Chinese takeout box, these little Greek-themed coffee cups are all over the city, sold from carts at countless corner trailers that also offer bagels and donuts each weekday morning. Of course, with the Starbucks invasion, and a host of copycats, these little blue and white fixtures have some competition in the curbside garbage competition. Fabriano paper, 140lb., 9" x 12", watercolor, pen & ink.

Takout

This is one of the ubiquitous accessories of New York life - the Chinese takeout box. In just about every neighborhood in every borough, one can find Chinese restaurants. Some are great - and are counted among our favorite restaurants, especially those that are kid-friendly. Sammy's on 6th Avenue at 11th Street has been a favorite for us for years. (And when we don't eat in, we can always count on delivery in about 15 minutes from the time of placing our order by phone!) Some of the staff have been seeing the boys since they were only several months old, and now greet them like old friends. Although our meals at Sammy's are perhaps a little more civilized now, there was a time when we felt compelled to follow one of the cardinal rules of tipping: The size of the tip is directly proportional to the size of the mess under the table. 9" x 12", watercolor & ink, Fabriano paper.

Pay Phone and the No. 2 Express

Remember when pay phones were such a ubiquitous landmark? They're still common in the subway system because most cell phones just won't pick up a signal down in the stations. However, it's not uncommon to see them disable with smashed receivers, broken wires, and jammed coin slots. 9" x 12", watercolor, pen & ink, on Arches 300 lb. paper. I'm really starting to favor this heavy paper . . . the heft, absorbency with heavy washes.

"Stop"

9" x 12", watercolor, pen and ink, Arches paper. I worked on this for at least a month, off and on, sometimes painting for a few days and then setting it aside for a week or more. Seemed as if it defied completion - until last night. Part of the problem was getting the yellow "just right." In some areas I used at least a dozen washes, including plain water to better blend the mix of three different yellows.

St. John's Lutheran Church, Greenwich Village

The latest, finished a couple of weeks ago. It was too large for a regular scanner, so had it scanned at a photo shop. I've painted the St. John's cupola before, but not from this angle. The sky proved especially difficult because I wanted a lot of realistic variation in color and texture (and I generally refuse to paint a plain "blue" sky). 12" x 18", watercolor, pen & ink, Fabriano paper.

Saint Martin de Porres

This falls into the "You Never Know What You're Going to See Next" category. This was a procession honoring St. Martin de Porres (1579-1639) of Peru. Known for his work with the poor, as well as his founding of an orphanage and children's hospital, he was canonized in 1962. (I'm not really sure why these people - identified by one participant as Peruvian immigrants - were parading St. Martin up 9th Avenue, since his official feast day is in November.) The little band that marched behind played dirge-like music at a very slow tempo while the men carrying the platform matched that tempo with a shuffling step. Every few minutes the procession would stop and the men would lower the platform to waist level. Then a priest would say some prayers and strike a bell on the front of the platform. Luckily my boys were with me and really enjoyed the spectacle.

Wisteria Lane

Each year this huge wisteria (on 10th St. between Fifth and Sixth avenues) provides an incredible spring show of blossoms. I'm not sure I'd want one quite this large climbing on my multi-million-dollar, 19th century townhouse, but it's certainly lovely for the rest of us!

General Electric Building, Part 2

The General Electric Building Lexington Avenue at 51st St.) was completed in 1931 and represents one of Manhattan's Art Deco gems. Given landmark status in 1985, the 51-story building served as GE's headquarters until operations moved to Fairfield, CT, in 1974. In 1993 General Electric gave the building, by then roughly two-thirds empty, to Columbia University. I'm not sure about its current status, but I do know that Columbia was partnering with several firms to redevelop and restore the building to attract new tenants. I love the Deco details, especially the clock, with its thrusting hands symbolically harnessing the power of electricity.

General Electric Building, Part 1

UFO - Unfinished Object

Alas, in painting sometimes a good idea doesn't always translate smoothly to paper or canvas. When I start a drawing and then begin painting, I nearly always have a pretty clear understanding of how I'm going to reach the finished concept that resides in my imagination. I can "see" the finished painting. Occasionally, however, the execution doesn't proceed as planned: I dislike my color selections, fail to paint as realistically as I'd like, or misjudge the contrast between light and shadow. Under those circumstances I'll let a painting sit for a week or so and if I can't resolve the problem, I rip it off the work board and tear it up. Naturally that's always a bittersweet experience because I understand that I'm throwing away many hours of work. But with that break, I can allow myself to move on to the next project.

In conception, this image was supposed to be a cropped view of the main clock in the main hall of Grand Central Terminal. The very large flag, rendered in slight shadow, hangs on the wall behind the clock. Although happy with the backlit clock faces - numerals and hands painted with a Japanese ink and brush - I just wasn't satisfied with the brass sphere and its myriad shadows.

The painting has been on my board for weeks and I just haven't been able to move forward. Rather than tear it up, however, I carefully removed it and have set it aside for the future. Perhaps I'll come back to it and solve the dilemma. For now it will remain an unfinished object, a "UFO" in the terminology used by my wife and her knitting circle.

Weekend Flowers, Part 2

 

 

 

 

Weekend Flowers, Part 1

The weather hasn't been consistently warm, but the flowers are starting to open and a few trees are showing green. It's supposed to be 80 this weekend, so perhaps we've turned the corner. The bottom two photos are of camelias, which I don't often see in the city. One usually sees them farther south. My parents, for example, have grown camelias for ages, and they always provide an early spring show of rose-like blooms.

Education

Found these adorning an older elementary school on the Lower East Side, just on the edge of Chinatown.

St. Patrick's Day

While walking home last night . . . the Empire State Building adorned in green lights for the occasion.

Washington Square Arch

Shots from Washington Square Arch yesterday . . .